Once editing is finished, you might create an h.264 copy so you can play the file on an iPhone or send to YouTube. H.264 is used mainly as a delivery codec.
You can correct color, add titles and effects, etc.
#ADOBE PREMIERE PRO CC KEEPS CRASHING FULL#
So the standard practice is to convert everything to full frames on import.
You can overcome this by converting to full frames (ProRes) as you are editing, but this takes a much more powerful processor and more memory. This is much better for editing, because if you edit out the full i-frame in a group of pictures (as in H264), you make the next 24 frames worthless. It is not dependent on the other frames around it. ProRes 422 is still somewhat compressed, but each frame stands on its own. I have restarted my computer and still the error happens whenever I launch the sequence I am working on. These partial frames will have information like direction of motion, and what has changed from the previous frame. I recently upgraded to adobe Premiere Pro CC from CS5.5 and for a while it was working fine, then all of a sudden a random crash appeared saying 'Adobe Premiere Pro CC has stopped working' and no solution is found so forcibly it quits. H.264 is a "group of pictures" compression scheme, which achieves compression by starting with one full frame, and then for the next 24 or so frames, it uses partial frames that attempt to capture what has changed since the full frame. When you bring an H264 clip into a project and edit it, you are dropping some of the information the format needs and then must 're-conform' on the fly. I should have stated transcoding to a codec where each frame is independent of surrounding frames. Yes, MP4/ H264 is an universal format, but it derives each frame by 'looking ahead' at frames to see what can be efficiently 'tossed out' for compression reasons. Several possible causes for frequent Adobe Premiere Pro crashes include outdated or corrupt hardware, unsupported video formats, incompatible codecs, or insufficient system resources.
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